UPURBAN PAVILION PAVILION TEMPORAR IN BUCURESTI, PIATA VICTORIEI

CUVANT INAINTE

Aceasta brosura, impreuna cu partea video, au fost concepute pentru a explica cat mai natural conceptul si firul logic al acestei propuneri - atat din punct de vedere vizual si spatial cat si din punct de vedere tehnic, social, comercial.

Proiectul, in forma sa de la prima etapa a concursului, reprezenta o idee puternica conturata in linii mari. Pentru ca pavilionul sa isi pastreze calitatea si pros-petimea in mediul real am abordat si studiat subiectele ce deriva din conceptul acestuia.

“Clientul“ acestui proiect este orasul Bucuresti si locuitorii sai. Am considerat ca misiunea noastra nu este aceea de a creea o functiune intr-un spatiu si mai degraba o scenografie ce devine fundalul mai multor “scurt-metraje”. Provocarea consta in traducerea acestui mesaj central intr-un set spatial ce ii invita pe utilizatori catre interactiune si implicare . Un alt punct de interes din perspectiva utilizatorilor a fost crearea unui spatiu ce implica costuri si eforturi de intretinere minime si

permite utilizarea lui in scopul strangerii de fonduri. Dezvoltarea de strategii conexe partii arhitecturale ni s-a parut vitala pentru a explica potentialul ridicat al acestei propuneri. Colaborarea cu specialisti in diverse domenii, cu firmele producatoare de materiale si cu arhitecta cu drept de semnatura desemnata ne-a permis sa aducem aceasta “idee” la un nivel de detaliere

,si intelegere, ridicat. Motivatia acestui proiect a fost aceea de a porni un dialog real intre membrii ai societatii romanesti de astazi. Arta coexistentei cu diversi parteneri ar trebui sa duca catre un asemenea dialog. Sa invatam sa ii respectam pe cei din jurul nostru - atat in public cat si in privat - este una dintre principalele cerinte pentru o soci-etate sanatoasa ce doreste sa mearga inainte si sa lase urmele comunismului in urma. Asemenea dialoguri se pot intampla doar in locurile unde oamenii se intalnesc

pentru a-si impartasii experientele.

FOREWORD

This booklet, together with the video, were conceived to explain as simple as possible the concept and the rational process of this proposal - both from a visual/spa-tial point of view and the technical, social, commercial points of view.

The project, as it was presented at the first stage of the competition, represented a strong idea explained briefly. In order for the pavilion to keep its quality and fresh-ness in a real environment, we identified and studied all the subjects that are implied by the concept.

“The client” of this project is the city of Bucharest and its inhabitants. We considered that our mission was not to create a function inside a spatial unit, but to create a scenography that becomes the background for many “short animations”. The challenge was to translate this central message into a spatial set which invites people to interact with it and to get involved in it’s development. Another interesting aspect, from the users point of view, was to create a space that implies low maintenance cost and

effort , and can be used for fund raising. Developing strategies connected with the architecture part is vital to understanding the big potential of this proposal. The collaboration with various specialists, with

the material producers and with the designated architect, allowed us to bring this idea to a high quality level of detail and understanding. The motivation of this project was to start a real dialogue between members of today’s Romanian society. The art of coexistence with different partners should lead to such dialogue. To learn how to respect the people around us - both in public and in private - is one of the main requirements for a healthy society that wants to move for-

ward and to leave the traces of communism’s behind. Such dialogue can only happen in the places where people meet to share their experiences.

PIATA VICTORIEI, BUCURESTI - SITUL PROPUS DE PRIMARIE

UP | 01

UP | 02

Zone asfaltate, dedicate automobilelor / Paved areas - dedicated to automobile trafficZone asfaltate moarte / Unused paved areasFlux pietonal pe sit / People traffic on site

Cladiri importante in apropiere: / Important buildings nearbyGuvernul, Muzeul de Geologie, Muzeul Taranului Roman, Muzeul Antipa./ The Government, The Geology Museum, The Romanian Peasant’s Museum, The Antipa Museum

UP | 03

UP | 04

Calea Mosilor/Carol I

Piata Corneliu Coposu

Piata Unirii

Blv. Libertatii

Piata Revolutiei

Calea Plevnei

Piata Operei Piata Mihail Kogalniceanu

Piata George Enescu

Piata Romana

Piata Victoriei

Strada Berzei

PIETE SIMILARE IN BUCURESTI / SIMILAR SQUARES IN BUCHAREST

COMPARATIE LA SCARA CU PIETE SIMILARE ALE LUMII/ SCALED COMPARATION BETWEEN SIMILAR SQUARES IN THE WORLD

Piata Victoriei, BucurestiPiata Rosie, Moscova

Piata Catalunya, BarcelonaLa Concorde, Paris

Reichstag, BerlinPiata Guvernului, Tokyo

UP | 05

CONCEPT IDEOLOGIC / IDEOLOGY UP | 06

“In noul regim economic bunastarea deriva direct din inovatie, nu din optimizare; astfel bunastarea nu este obtinuta prin perfectionarea lucrurilor cunoscute deja, ci prin

aprecierea imperfecta a necunoscutului” - Kevin Kelly, “New rules for the new economy”, Wired.

“Wealth in this new regime flows directly from innovation, not optimisation; that is, wealth is not gained by perfecting the known, but by imperfectly seizing the unknown”

Kevin Kelly, “New rules for the new economy”, Wired.

UP | 07

cronologia folosirii cartonului ca element structural in constructii / timeline - usage of cardboard as structural element

100 i.Hr. China-primele marturii ale existentei hartiei

1536 -prima fabrica de hartie in Romania, Sibiu

aprox. 1930se contruieste o casa de hartie in SUA

aprox. 1970locuinte tem-porare, TU Delft Olanda

1995locuinta, Japonia, Shigeru Ban

2010

UPBucuresti,Romania

2002Centre d’interpretation du canal de Bourgogne, Pouilly-en-Auxois, France, Shigeru Ban

2008MOMA PF1, New York, USA

2000pavilionul Japoniei, Hanovra, Shigeru Ban

arcul de hartie - muzeul de arta moderna NY, SUA,Shigeru Ban

1999muzeul de arta pentru copii NEMUNOKI, Japonia, Shigeru Ban

1998dom de hartie, Japonia, Shigeru Ban

biserica de carton, Japonia, Shigeru Ban

aprox. 1980doua teatre temporare,Apeldoorn Olanda

1995-1996adaposturi temporare, Japonia, Shigeru Ban

/100 B.C., China- the first testimonials of the existance of paper

/1536-the first Romanian paper factory, Sibiu

/~1930a paper house is built in USA

/~1970temporary ac-comodation, TU Delft, Holland

/~1980two temporary theatres, Apel-doorn, Holland

/1995house, Japan, Shigeru Ban

cardboard church, Japan, Shigeru Ban

/1998paper dome, Japan, Shigeru Ban

/2002Centre d’interpretation du canal de Bour-gogne, Pouilly-en-Auxois, France, Shigeru Ban

/1999Nemunoki art museum for children, Japonia, Shigeru Ban

/2000Japan Pavilion, Hannover, Shigeru Ban

paper arch - MOMA NY, USA, Shigeru Ban

/1995-1996temporary acco-modation, Japan, Shigeru Ban

/2008MOMA PF1, New York, USA 2010

UPBucharestRomania

O SUPRAFATA COMPACTA DE 100mp RAPORTATA LA SCARA PIETEI/A 100m COMPACT SURFACE IN COMPARISON WITH THE SURFACE OF VICTORIEI SQUARE.

100mp/100sqm

600 STALPI = 100mp/600 columns=100sqm

600 STALPI =650mp/600 columns=650sqm

CONCEPT ARHITECTURAL / ARCHITECTURAL CONCEPT UP | 08

300 STALPI = 430mp/

300 columns = 430sqm

SUPRAFATA CUMULATA PAVILION -

12mp/

CUMULATED PAVILION SURFACE

12sqm

PRINCIPIU DE ORDONARE A ELEMENTELOR

PUNCTUALE - HARTA CERULUI DE DEASU-PRA BUCURESTIULUI IN

LUNA IANUARIE/

GENERATING PRINCIPLE FOR THE PUNCTUAL

ELEMENTS - THE MAP OF THE SKY OVER BUCHA-

REST IN JANUARY

PRINCIPIU DE ORDONARE A ELEMENTELOR

PUNCTUALE - HARTA CERULUI DE

DEASUPRA BUCURESTI-ULUI IN LUNA APRILIE

/GENERATING PRINCIPLE

FOR THE PUNCTUAL ELEMENTS - THE MAP OF

THE SKY OVER BUCHA-REST IN APRIL

PRINCIPIU DE ORDONARE A ELEMENTELOR

PUNCTUALE - HARTA CERULUI DE DEASU-PRA BUCURESTIULUI IN

LUNA IULIE/

GENERATING PRINCIPLE FOR THE PUNCTUAL

ELEMENTS - THE MAP OF THE SKY OVER BUCHA-

REST IN JULY

PRINCIPIU DE ORDONARE A ELEMENTELOR

PUNCTUALE - HARTA CERULUI DE DEASU-PRA BUCURESTIULUI IN

LUNA OCTOMBRIE/

GENERATING PRINCIPLE FOR THE PUNCTUAL

ELEMENTS - THE MAP OF THE SKY OVER BUCHA-

REST IN OCTOBER

UP | 09

UP | 10

STALPI SIMPLI Ø200, Ø150

/PLAIN COLUMNS

Ø200, Ø150

STALPI CU PLANTE Ø240

/PLANT COLUMNS

Ø240

IARNA/WINTER

PRIMAVARA/SPRING

HEDERA HELI

AMPELOPSIS PEDUNCULATA

VARA/SUMMER

LONICERA JAPONICALATHYRUS ODORATUS

TOAMNA/AUTUMN

THUMBERGIA ALATA

SISTEM DE DIFUZIE PENTRU TERASE

/TERACE

DIFUSION SYSTEM

STALPI APA Ø350/WATER COLUMNS Ø350

ELEMENT TRATAT CU VOPSEA

REFLECTORIZANTA/

OBJECT TREATED WITH REFLECTIVE

PAINT

STALPI REFLECTORIZANTI Ø100/REFLECTIVE COLUMNS

UP | 11

UP | 12

±0.00±0.00

+4.00

+5.00

±0.00

+4.00

+5.00

+4.00

+5.00

28

3.72

28

3.72

+4.00

+5.00

±0.00

24

10

15 24 24 24 20 35

1.651.80

80

S1 S2 S3S4/P4 S4/P3 S4/P2S4/P1 S5

FATADA ETAPA 1 / ELEVATION FROM THE FIRST STAGE OF THE COMPETITION

FATADA TEHNICA, ETAPA2 / TECHNICAL ELEVATION, SECOND STAGE

CONCEPT SOCIAL&MOD DE FOLOSIRE / SOCIAL CONCEPT AND MODELS OF USE UP | 13

Constelatiile sunt grupari de stele ce, unite prin linii imaginare, formeaza desene ce pot evoca figuri zoologice sau personaje mitologice. Au satisfacut pe de-o parte nevoia de simboluri si imaginar, iar pe de alta parte au constituit puncte de reper si orientare.

La romani in special, constelatiile reflectau un specific rural, cele mai vizibile dintre ele numindu-se Carul Mic, Carul Mare, Plugusor, Jgheabul Putului, Hora, Closca etc, iar "stelele care impodobesc cerul noaptea nu erau altceva decat lumanari aprinse ale sufletelor ce se nasc.” (1)

/ Constellations are groups of stars that, when connected through an imaginary line, form the pictures of zoological creatures or mythological characters. On one hand, they have

satisfied the need for symbols and for the imaginary and, on the other hand, they have constituted reference points and points of orientation. In the case of the Romanians especially, constellations reflected a rural feature, the most visible of the constellations were named Ursa Minor, Ursa Major, Corona Borrealis, etc and “the stars that cover the sky at night are merely

lit candles of souls that are born.” (1)

SW

M35

M37

M36

M38

Roiul dubludin Perseu

M34

M31

M33

M52

M74

M77

M39

M82

M81

spre steaua Polară

M48

M41

M46

M47

Nebuloasadin Orion

M44

M67

M79

M51

URSA

MAJOR

Mizar

şi Alcor

Carul

Mare

Thuban

DRACO

Steaua Polară

URSAMINOR

CEPHEUS

aDen

eb

CYGNUS

LACERTA

CASSIOPEIA

PEG

ASUS

Almach

ANDROMEDA

PISCES

Alresch

a

Arneb

CETUS

ERIDANUS

FORNAX

COLUMBA

LEPUS

CANISMAJOR

Sirius

Hamal

ARIES

Mirfak

PERSEUS

TAURUS

Aldebaran

Pleiadele

Rigel

Betelgeuse

ORION

GEM

INICastor

Pollux

Regulus

CA

NIS

MIN

ORMO

NOC

EROS

Procyon

Triunghiul

denă

iar

CANCER

LEOH

YDRA

AURIGA

Capella

LYNX

Algol

ECLIPTICA

Marte

SW

M35

M37

M36

M38

Roiul dubludin Perseu

M34

M31

M33

M52

M74

M77

M39

M82

M81

spre steaua Polară

M48

M41

M46

M47

Nebuloasadin Orion

M44

M67

M79

M51

URSA

MAJOR

Mizar

şi Alcor

Carul

Mare

Thuban

Steaua Polară

URSAMINOR a

Deneb

Almach

Alresch

a

Arneb ERIDANUSMAJOR

Sirius

Hamal

Mirfak

Aldebaran

Pleiadele

Rigel

Castor

Pollux

Regulus

Procyon

Triunghiul

denă

iar

Capella

Algol

Marte

CANISMAJOR

ORION

CA

NIS

MIN

OR

SW

M35

M37

M36

M38

Roiul dubludin Perseu

M34

M31

M33

M52

M74

M77

M39

M82

M81

M48

M41

M46

M47

M44

M67

M79

M51

Mizar

şi Alcor

Carul

Mare

Thuban

Steaua Polară

aDen

eb

Almach

Alresch

a

Arneb

Sirius

Hamal

Mirfak

Aldebaran

Pleiadele

Rigel

Betelgeuse

Castor

Pollux

Regulus

Procyon

Capella

Algol

Marte

SW

M35

M37

M36

M38

Roiul dubludin Perseu

M34

M31

M33

M52

M74

M77

M39

M82

M81

spre steaua Polară

M48

M41

M46

M47

Nebuloasadin Orion

M44

M67

M79

M51

URSA

MAJOR

Mizar

şi Alcor

Carul

Mare

Thuban

DRACO

Steaua Polară

URSAMINOR

CEPHEUS

aDen

eb

CYGNUS

LACERTA

CASSIOPEIA

PEG

ASUS

Almach

ANDROMEDA

PISCES

Alresch

a

Arneb

CETUS

ERIDANUS

FORNAX

COLUMBA

LEPUS

CANISMAJOR

Sirius

Hamal

ARIES

Mirfak

PERSEUS

TAURUS

Aldebaran

Pleiadele

Rigel

Betelgeuse

ORION

GEM

INICastor

Pollux

Regulus

CA

NIS

MIN

ORMO

NOC

EROS

Procyon

Triunghiul

denă

iar

CANCER

LEOH

YDRA

AURIGA

Capella

LYNX

Algol

ECLIPTICA

Marte

SW

M35

M37

M36

M38

Roiul dubludin Perseu

M34

M31

M33

M52

M74

M77

M39

M82

M81

spre steaua Polară

M48

M41

M46

M47

Nebuloasadin Orion

M44

M67

M79

M51

URSA

MAJOR

Mizar

şi Alcor

Carul

Mare

Thuban

Steaua Polară

URSAMINOR a

Deneb

Almach

Alresch

a

Arneb ERIDANUSMAJOR

Sirius

Hamal

Mirfak

Aldebaran

Pleiadele

Rigel

Castor

Pollux

Regulus

Procyon

Triunghiul

denă

iar

Capella

Algol

Marte

CANISMAJOR

ORION

CA

NIS

MIN

OR

SW

M35

M37

M36

M38

Roiul dubludin Perseu

M34

M31

M33

M52

M74

M77

M39

M82

M81

M48

M41

M46

M47

M44

M67

M79

M51

Mizar

şi Alcor

Carul

Mare

Thuban

Steaua Polară

aDen

eb

Almach

Alresch

a

Arneb

Sirius

Hamal

Mirfak

Aldebaran

Pleiadele

Rigel

Betelgeuse

Castor

Pollux

Regulus

Procyon

Capella

Algol

Marte

(1) Tudor Pamfile "Mitologia Poporului Roman" Cap III - Cerul si podoabele lui, dupa credintele poporului roman / Partea a VI a – Stelele(2) Conform dictionarelor DEX Online, Oxford Dictionaries Online si DRAE (Dictionarul Regal al Academiei de Limba Spaniola) (3) http://www.sociologyguide.com/basic-concepts/Social-System.php(4) http://www.visualcomplexity.com/vc/index.cfm?domain=Social%20Networks(5) http://ro.wikipedia.org/wiki/Psihologie_social%C4%83(6) http://en.wikipedia.org/wiki/Guerrilla_marketing

UP | 14

UP | 15

1. harta internetului / map of internet

2. harta a interactiunii intre proteine / map of interaction between proteins

3. harta influentei muzicale a lui Michael Jackson / map of MIchael Jackson’s influence over music

4. harta sociala FACEBOOK / FACEBOOK social network map

5. o retea neurala simpla / a simple neural network

Constelatiile poarta insa si alte sensuri, iar dictionarele a 3 limbi le descriu ca fiind fie un “grup de persoane unite în activitatea lor prin idei si scopuri comune", fie o “asociere de oameni si lucruri similare” fie “o grupare sau reuniune armonioasa” (2), ceea ce in terminologia stiintelor sociale se traduce ca Sistem Social.(3)

Amintim ca cele mai comune sisteme sociale de azi sunt retelele de socializare Facebook, Twitter sau Flikr, a caror reprezentare vizuala se aseamana cu o harta cereasca (4), si implicit pot fi ilustrate prin intermediul pavilionului UP.

Reteaua reprezinta un spatiu global deteritorializat in mod progresiv de instantaneitatea comunicarii. Retelele sunt in evolutie constanta iar schimbarile lor se traduc in modificari continue ale mecanismelor de conectare si transmitere, si, in consecinta, a capacitatii sale de matrice si a topologiei sistemului. Ele ofera unui teritoriu capacitatea de a

fi mai bine comunicat, interrelationat isotropic din punct de vedere virtual, dar nu neaparat mai omogen./

But constellations also bear different meanings, we find them in the Romanian, English or Spanish language defined as either “a group of people united in their activity by common goals and ideas” or as “an association of similar people and things”, or as “an harmonious grouping orgathering” (2) These definitions have a correspondence in the terminology of social

sciences and are known as Social Systems(3). Among the most common Social Systems of today we find social networking websites like Facebook, Twitter or Flickr, whose visual representation is similar to a map of the night

sky (4), ar based on a mathematical model, and can implicitly be illustrated by means of the UP pavilion. Networks are a global space wich is progressively deterritorialised by the instantaneity and the immediacy of communication. Networks are in constant evolution and their changes translate into continous modifications of the mechanisms of linkage and transference and, therefore, into the matrix capacity – and topology – of the system. They provide the capacity of

a better communicated, interrelated and virtualy isotropic, but not neccesarily more homogenous territory.

(1) Tudor Pamfile "Mitologia Poporului Roman" Cap III - Cerul si podoabele lui, dupa credintele poporului roman / Partea a VI a – Stelele(2) Conform dictionarelor DEX Online, Oxford Dictionaries Online si DRAE (Dictionarul Regal al Academiei de Limba Spaniola) (3) http://www.sociologyguide.com/basic-concepts/Social-System.php(4) http://www.visualcomplexity.com/vc/index.cfm?domain=Social%20Networks(5) http://ro.wikipedia.org/wiki/Psihologie_social%C4%83(6) http://en.wikipedia.org/wiki/Guerrilla_marketing

UP | 16 Mai mult, prin introducerea elementelor vegetale, pavilionului i se adauga o dimensiune temporala. Astfel UP poate ilustra diferite contexte sociale ce formeaza, periodic,

constelatia unui eveniment.(5) Metoda prin care se poate realiza acest lucru e simpla si tine strict de redecorarea coloanelor (punctelor) pavilionului. UP, dincolo de metafora prin care inglobeaza cos-

mosul si ciclicitatea, se poate transforma cu usurinta intr-un canal de comunicare in sine - un canal de comunicare neconventional (6), de care pot beneficia societatea civila, asociatiile culturale, institutii de educatie sau alte entitati private.

Subiectele ce se pot aborda sunt infinite, de la reprezentarea societatatii in ansamblul ei si modelele de interactiune umana, pana la rolul si influenta unor personalitati in viata publica sau modul prin in care s-au nascut anumite evenimente esentiale pentru societate; felul in care acestea s-au influentat reciproc.

/ The method through which this can be obtained is simple and based strictly on the redecoration of the pavilion’s columns (points). Beyond the metaphor by which it encloses the universe and cycles, it can be easily transformed in a channel of communication in itself – an unconventional channel of communication (6), that can benefit nonstick professional corpora-

tions, cultural associations, educational institution or various other private entities. The topics that can be approached are infinite, from representing an overview of society and the patterns of human interaction, to the role and influence of certain personalities in

the public sphere or the way in which certain events crucial to society were born; the way in which these things have influenced each other.

Lasand deoparte semnificatiile arhetipale ale constelatiei, UP devine un creuzet social la scara urbana. O retea palpabila, fizica, ce prezinta calitati arhitecturale inovative si functioneaza ca o platforma de comunicare.

/ Thus, beyond the metaphor by which it encloses the universe and cycles, and leaving aside archetypal significance of the constellation, UP becomes a social melting pot at an urban

scale – a palpable, physical network that represents innovative architectural qualities and can function as a platform of communication.

1. subiectele sunt impartite pe zone ce se interconecteaza

1. subjects define areas and get interconected

2. expozitia se foloseste de “incaperile” generate de pavilion

2.the exhibition uses the “rooms” generated by the pavilion

3.un obiect central este explicat de stalpii ce il inconjoara

3.a central object is explained through the columns that soround it

4. stalpii sunt folositi pentru a conecta panouri pe care se poate expune

4.the columns are used to connect panels onto which one can exhibit

5. expozitie cu multe elemente distincte legate de o tema comuna

5. exhibition with many different elements con-nected by a common theme

UP | 17

PROCES TEHNOLOGIC / TECHNOLOGICAL PROCESS UP | 18

INFILETAREA FUNDATIEI IN TEREN

/ TAPPING THE FOUNDATION IN THE

TERRAIN

FIXAREA PIESEI METALICE SUPORT

/ FIXING THE METALLIC SUPPORT PIECE

INFILETAREA PIESEI METALICE DE PRINDERE A

CARTONULUI/ TAPPING THE

METALLIC PIECE FOR SECURING THE CARDBOARD

LIPIREA CARTONULUI DE PIESA METALICA

/ GLUING THE CARDBOARD TO THE

METALIC PIECE

REZULTATUL FINAL/FINAL RESULT

MATERIALE SPECIALE / SPECIAL MATERIALS UP | 19

AVANTAJELE SURUBURILOR KRINNER PENTRU FUNDATII:/ADVANTAGES OF THE KRINNER GROUND SCREWS

timp si costuri reduse/ cost & time savingnu necesita sapaturi/ no digging

evitarea solutiei ireversibile cu beton/ no concretingsolutia poate fi aplicata pe diferite tipuri de suport : teren natural, suprafete

mixte, covor asfaltic/ for natural ground, combined & tarred surfaces, road side & parking lots

suprafata inconjuratoare ramane neafectata/ The Surrounding Area Remains Unspoiled

solutie rezistenta si de lunga durata/ durable and long lastingsolutie ecologica/ ecological

usor de demontat si relocat/ easy to dissmantle and relocatetestata din punct de vedere static/ statically tested

folosita pentru elemente liniare cu o inaltime de pana la 12 m/ used for masts up to 12m heigh

atenueaza balansul elementelor in conditii de vant/ storm proof

UP | 20

AVANTAJELE TUBURILOR DE CARTON:/ ADVANTAGES FOR THE CARDBOARD TUBES

gama variata de dimensiuni/ multitude of dimmensional possibilitiesprodus ecologic , 100% reciclabil/ ecological, 100% recyclable

nu produce deseuri/ no wasterealizat din materiale reciclate/ made from recycled materials costuri reduse in comparatie cu alte materiale ( lemn , metal)

/ low cost in comparison with other materialsgreutate redusa/ light

manevrabilitate usoara, nu necesita masini sau unelte specializate/ easy to handle, no need for vehicles or special tools

prelucrare usoara/ easy to processrezistenta la compresiune si incovoiere ridicata in comparatie cu greutatea

/ high resistance to compression and bending strengths in comparison with its weight

DEMONTAREA PAVILIONULUI / DISSASEMBLING THE PAVILION

PAVILIONUL ESTE TEMPORAR - 1AN. PIESELE COMPONENTE TREBUIE DEMONTATE SI AU NEVOIE DE O NOUA DESTINATIE. DE ASEMENEA, SITUL TREBUIE READUS LA STAREA

INITIALA - SAU IMBUNATATIT.THE PAVILION IS TEMPORARY – 1 YEAR

THE COMPONENT PIECES MUST BE DISSASEMBLED AND NEED A NEW DESTINATION. ALSO, THE SITE MUST BE BROUGHT BACK TO ITS ORIGINAL STATE – OR IMPROVED.

UP | 21

DEFILETAREA TUBULUI DE CARTON

/UNTAPPING THE

CARDBOARD TUBE

DEMONTAREA PIESEI METALICE DE LA BAZA

/DISSASEMBLING THE

METALLIC PIECE AT THE BASE

SCOATEREA FUNDATIILOR

METALICE/

REMOVING THE METALLIC

FOUNDATIONS

UMPLEREA GAURII CU BALAST COMPACTAT SI

SIGILAREA EI CU BETON SIMPLU

/FILLING THE HOLE WITH

COMPACTED BALLAST AND SEALING IT WITH

SIMPLE CONCRETE

VARIANTE PROPUSE PENTRU SIT: / OPTIONS PROPOSED FOR THE SITE: UP | 22

MONTAREA DE CORPURI DE ILUMINAT IN PERFORATIILE DIN

ASFALT/

ASSEMBLING LIGHT SOURCES IN THE CAVI-TIES IN THE ASPHALT

ASTUPAREA GAURILOR CU

SUPRAFETE REFLECTORIZANTE

/FILLING THE HOLES

WITH LIGHT-REFLECT-ING SURFACES

UMPLEREA GAURILOR CU PLANTE

/FILLING THE HOLES

WITH PLANTS

ASTUPAREA GAURILOR CU ASFALT

/FILLING THE HOLES

WITH ASPHALT

UP | 23

SIMULARE DE NOAPTE CU SISTEMUL DE ILUMINAT CE AR INLOCUI PAVILIONUL/ NIGHT RENDERING WITH THE LIGHTING SYSTEM THAT WOULD REPLACE THE PAVILLION

UP | 24

VARIANTE PROPUSE PENTRU MATERIALELE FOLOSITE:/ OPTIONS PROPOSED FOR THE MATERIALS WE USED:

UP | 25

CARTONUL FOLOSIT ESTE MATERIAL RECICLABIL 100%

/THE CARDBOARD IS 100% RECYCLABLE

PIESELE DE PRINDERE FOLOSITE SUNT METALICE. METALUL ESTE MATERIAL RECUPERABIL.

/THE JOINT ELEMENTS ARE METALICAL. METAL IS A

RECUPERABLE MATERIAL.

UP | 26

FUNDATIILE ALESE SUNT REFOLOSIBILE.

/THE FOUNDATIONS WE USED

ARE REUSABLE

ACESTEA AR PUTEA FI FOLOSITE PENTRU MONTAREA DE NOI STALPI CE SUSTIN DIVERSE PIESE(STEAGURI, PANOURI

SOLARE, SEMNE DE CIRCULATIE, ETC.)

/THESE CAN BE USED FOR ASEM-BLING NEW PILLERS THAT HOLD VARIOUS PIECES (FLAGS, SOLAR

PANELS, STREET SIGNS, ETC)

UP | 27

PLANTELE FOLOSITE IN PAVILION POT FI REPLANTATE

/THE PLANTS CAN BE REPLANTED

ACESTEA AR PUTEA FI REPLANTATE IN PARCURILE BUCURESTIULUI.

/THESE COULD BE REPLANTED IN THE PARK OF

BUCHAREST

UP | 28

PENTRU A CREA UN MICROCLIMAT IN CADRUL PAVILIONULUI AM ALES SA

FOLOSIM UN SISTEM DE CLIMATIZARE PENTRU

EXTERIOR./

IN ORDER TO CREATE A MICROCLIMATE INSIDE THE

PAVILION WE CHOSE TO USE A EXTERIOR CLIMATE SYSTEM.

DUPA DEMONTAREA PAVILIONULUI ACESTE SISTEME AR PUTEA FI FOLOSITE IN ALTE SPATII URBANE ALE CAPITALEI (TERASE, PIETE,

PARCURI, ETC.)/

AFTER THE PAVILION IS DISSASEMBLED THESE SYSTEMS COULD BE USED IN OTHER URBAN AREAS OF BUCHAREST(TERSACES, PLAZAS, PARCS, ETC.)

UP | 29REFERINTA - STEAGURI

REFERINTA - SISTEM DE CLIMATIZARE PENTRU EXTERIOR

REFERINTA - PLANTE CATARATOARE IN PARCUL CISMIGIU

REFERINTA - SISTEM DE ILUMINAT IN PARC

VARIANTE PROPUSE PENTRU PAVILION: / OPTIONS PROPOSED FOR THE PAVILION: UP | 30

PAVILIONUL ESTE CONSTITUIT DIN ELEMENTE CU REZISTENTA RIDICATA, CE II PERMIT SA AIBA O VIATA MAI LUNGA DE UN AN.

/THE PAVILION IS BUILT FROM VERY DURABLE ELEMENTS WHICH

ALLOW IT TO LAST LONGER THAN A YEAR

ECHIPA NOASTRA RECOMANDA RELOCAREA LUI IN DIVERSE ZONE URBANE DIN TARA. PAVILIONUL AR DEVENI ASTFEL UN INSTRUMENT

DE “ACUPUNCTURA URBANA” - LASANDU-SI AMPRENTA SI TRANSMITAND PERPETUU MESAJELE CU CARE ESTE INCARCAT.

/OUR TEAM RECOMMENDS ITS RELOCATION IN VARIOUS URBAN

REGIONS IN THE COUNTRY THE PAVILION WOULD THUS BECOME AN INSRUMENT OF “URBAN ACCUPUNCTURE” – LEAVING ITS MARK AND

PERPETUALLY TRANSMITTING THE MESSAGES IT CARRIES.

UP | 31

PAVILIONUL ESTE COMPUS DIN 300 DE TUBURI/

THE PAVILION CONTAINS 300 TUBES

TUBURILE, SI SISTEMELE LOR DE FIXARE, AR PUTEA FI REFOLOSITE PENTRU A CONSTRUI LOCUINTE

TEMPORARE PENTRU SINISTRATI. ACEASTA PRACTICA A MAI FOST FOLOSITA IN TARI PRECUM INDIA, TURCIA,

JAPONIA, CHINA./

THE TUBES AND THEIR CATCH MEMBERS COULD BE RE-USED IN BUILDING TEMPORARY SHELTERS FOR VICTIMS OF CALAMITIES. THIS PRACTICE HAS ALSO BEEN USED IN

COUNTRIES SUCH AS INDIA, TURKEY, JAPAN, CHINA

UP | 32

UP | 33

UP - STRATEGIE DE MARKETING / UP - MARKETING BRIEF UP | 34

1. DESCRIERE UP este un pavilion temporar amplasat in vecinatatea Palatului Victoria, in prelungirea Parcului Kisselef. Este un produs cultural in sine si in acelasi timp, un

spatiu expozitional - un canal de comunicare neconventional. Amplasat pe o suprafata de 430mp, Pavilionul UP este un sistem complex de 300 coloane, ce reconstituie cerul de deasupra Bucurestiului, in functie de cele

4 anotimpuri. Aceste coloane sunt totodata suport al unei retele de vegetatie specifice fiecarui anotimp. Coloanele sunt realizate din tuburi de carton de diferite grosimi. Ca efecte speciale, o parte din coloane sunt folosite pentru racirea pavilionului pe timp de

vara, iar altele sunt acoperite cu vopsea reflectorizanta si sunt flexibile la miscarea vantului. UP inglobeaza metaforic 3 elemente: cosmologia (prin constelatiile la care se raporteaza), ciclicitatea timpului (prin plantele si vegetatia specifica fiecarui anotimp) si o perspectiva globala asupra modelelor de interactiune umana, intrucat intreg ansamblu se aseamana cu reprezentarile vizuale ale networking-ului

uman.

1. DESCRIPTION UP is a temporary pavilion placed in vicinity of the Victoria Palace, continuing the Kisselef park. It is a cultural product and an exhibition space at the same time - a

non-conventional communication channel. Covering a surface of 430sqm, UP is a complex system of 300 columns, that reconstructs the night sky over Bucharest. These columns are also a support for a network

of plants specific to each season. The columns are made from cardboard tubes with different sections. As special features, some of the columns provide air-conditioning during summer and other are

coated with reflective paint and have the ability to swing at windy times. UP metaphorically includes 3 elements: the cosmology(through the constellation from which it begins), the cycles of time(through the vegetation) and the global

perspective over models of human interaction - the entire ensemble is similar to infographics of human networking.

UP | 35

2. BENEFICII

UP este o instalatie unica in Bucuresti si poate constitui un punct de atractie prin simpla sa prezenta. Poate aduce un plus de valoare pentru fluxul turistic din Capitala si un plus de imagine Primariei Sectorului 1.

Ca spatiu de expunere ofera posibilitatea redecorarii coloanelor ce-l compun, precum si crearea a mai multor centre de interes(p. ). Pavilionul poate fi folosit cu succes de societatea civila, asociatii culturale, institutii de educatie sau alte entitati, in nevoia lor de a gasi noi canale de comuni-

care cu publicul. La finalul perioadei de 1 an, in locul unde au fost instalate coloanele vor exista 300 de gauri in asfalt - acestea vor fi “umplute” de corpuri de iluminat, de diverse

dimensiuni si puteri.

2. BENEFITS

UP is a unique installation in Bucharest and can become an attraction point through it’s simple presence. It can also provide an extra value for the tourist flux of the capital and a growth in image for Sector 1’s cityhall.

As an exhibition space it offers the possibility to redecorate the columns that compose it, as the creation of multiple interest points(see p. ). The pavilion can be used with success by the civil society, cultural associations, educational institutions or other entities, in their need to find a new channels of com-

munication with the public. After 1 year, where there once stood 300 columns, there will be 300 holes in the asphalt - these could be filled with lights, of different size and power.

3. SURSE DE VENIT UP poate genera castiguri materiale prin vanzarea de obiecte promotionale si articolele derivate. Din cauza dimensiunii temporale a pavilionului, obiectele vor fi limitate ca numar si editii, intrand in categoria “colectable items”. Se vor lua in calcul preturile obiectelor promotionale conform pietei + un comision de 40-50

%. Pentru folosirea spatiului si a instalatiei se va percepe o chirie calculata in functie de tipul evenimentului si publicul caruia i se adreseaza. Pret minim de

inchiriere – costurile de afisaj outdoor din Bucuresti. In cazul asociatiilor non-profit independente, (neafiliate nici unei companii private si care sa nu faca deja obiectul unor campanii de CSR) nu se va percepe

nicio taxa de folosinta, amenajarea instalatiei cazand insa in sarcina acestora. De asemenea, va fi monetizat traficul web de pe site-ul pavilionului, din momentul in care acesta va consemna fiecare eveniment in parte, si va genera, in

timp, expunere. Mentionam ca fondurile obtinute in urma acestei strategii ar trebui sa fie folosite pentru a amortiza investitia, iar profitul obtinut ar trebui donat in scopuri

nobile.

3. INCOME SOURCES

UP can generate income through selling promotional items and derivates. Due to the pavilion’s temporal dimension, the objects will be limited as number and edi-tions, joining the “colectable items” category. For pricing the items one should consider the price of the market + 40-50%.

For permission to use space and the installation, there will be a tax calculated accordingly to the type of the event and the target public. The minimal rental price will be calculated in accordance with the outdoor exhibition taxes for Bucharest.

The non-profit associations(without connections to private companies, and that are not subject of CSR campaigns) that wish to organise events inside the pavilion should be able to do it for free.

Also, there will be profit from the website of the pavilion, which in time, through it’s events, will bring exposure. We would like to mention that the funds obtained through this strategy should be used to balance the cost of the pavilion, and the profit should be donated in good

cause.

UP | 36

4.CALENDAR ORIENTATIV

A. Crearea unei entitati juridice, Pavilionul Temporar UP - asociatie non-profit. B. Incheirea de acorduri de co-marketing cu agentii de publicitate (pentru dinamizarea continutului creativ al pavilionului) si agentii de PR (pentru

administrarea capitalului de imagine si prezenta in mass-media). C. Elaborarea strategiilor de comunicare, crearea campaniei de imagine si/sau alte campanii, cu agentia/agentiile de publicitate alese sau desemnate D. Se vor co-interesa cat mai multe institutii si actori ai vietii publice bucurestene, cu invitatia de a-si creea propriul eveniment in spatiul expozitional al

sitului, cu o singura exceptie: schimbarea anotimpurilor, ce va fi un eveniment de sine statator si exclusiv al Pavilionului UP E. Realizarea instalatiei de lumini pe situl ramas si consemnarea participantilor la proiect.

4. ORIENTATIVE CALENDAR

A. The creation of a juridic entity, UP Temporary Pavilion - non-profit association. B. Closing-off agreements of co-marketing with publicity agencies(in order for the pavilion to have a more dynamic content) and PR agencies(to

administrate the image capital and the pavilion’s presence in mass-media). C. Elaborating communication strategies, creating the image campaign and/or other campaigns together with the chosen publicity agency. D. One will make the project interesting for institutions and actors of Bucharest’s public life, with the invitation to create their own event inside the pavilion,

with one exception: changing of seasons - which will be an event itself. E. Mounting the lights into the holes and mentioning through them the participants to this project.

UP | 37

UP | 38

UP | 39

pret unit EURO RON1

1.1 0 0 01.2 0 936 3987

936 39872

1.1

53 2915 1241812 660 281225 1375 5858

0.5 27.5 1170.55 30.25 129

2 110 4695118 21803

53 7261 3093233.5 4589.5 19551

28 3836 163410.6 82.2 350

0.55 75.35 3213 411 1751

16255 69246

53 2703 1151546.5 2371.5 10103

38 1938 82560.6 30.6 130

0.55 28.05 1194 204 869

7275 30992

144 6768 2883247.3 2223.1 9470

47 2209 94103 141 6015 235 1001

15 705 30035 235 1001

0.75 35.25 15010 470 2002

13021 55470

144 1440 613459.5 595 2535

TOTAL COSTURI PREGATIRE TEREN SI ORGANIZARE SANTIER:

S5 - stalp Ø 350mm - 10 DE BUCATIFundatii - KRINNER KSF FEL 140Piese metalice - 23.75kg/buc

Tub PVC - protectie ghiveci

Suruburi si piulite - 6 buc.Adeziv SIKA

TOTAL S4

PlantaPamant, granule ceramice, tub rezerva apa, pietris

Ghiveci argila si termoizolatia sa

TOTAL S3

S4 - stalp Ø 240mm - 47 DE BUCATIFundatii - KRINNER KSF FPK 140Piese metalice - 19kg/bucTub carton si protectia hidroizolanta in 2 straturi

Fundatii - KRINNER KSF G4 Piese metalice - 18.6kg/bucTub carton si protectia hidroizolanta in 2 straturiCapac PVC - inchidere capat superiorSuruburi si piulite - 4 buc.Adeziv SIKA

Tub carton si protectia hidroizolanta in 2 straturiCapac PVC - inchidere capat superiorSuruburi si piulite - 4 buc.Adeziv SIKA

TOTAL S2

Adeziv SIKA TOTAL S1

S2 - stalp Ø 150mm - 137 DE BUCATIFundatii - KRINNER KSF G4 Piese metalice - 13.4kg/buc

Fundatii - KRINNER KSF G4 Piese metalice - 4.5kg/bucTub carton si vopseaua re�ectorizanta in 2 straturiCapac PVC - inchidere capat superiorSuruburi si piulite - 4 buc.

S3 - stalp Ø 200mm - 51 DE BUCATI

Pregatirea terenuluiOrganizarea de santier - 1.5%din costurile de executie

Capitolul 2 - Costuri de executie(MONTARE, DEMONTARE)Costuri materiale

S1 - stalp Ø 100mm - 55 DE BUCATI

DEVIZ GENERAL

Nota: Cheltuieli necesare realizarii proiectului, calculate la cursul BNR din 26.07.2010, 1EUR=4.2642 RON

Denumirea capitolelor si a subcapitolelorNr. Crt.Valoare(inclusiv TVA):

Capitolul 1 - Pregatirea terenului si Organizarea de santier

62 620 264112 120 51110 100 42615 150 63910 100 42620 200 85210 100 426

6 60 25610 100 426

3585 15272

0.18 54 2300.1 30 1280.7 210 89530 9000 38340

52823 225923

1.2500 1500 6390500 500 2130

2000 8520

1.335 70 29810 3000 12780

2.5 750 3195100 100 426

5 1500 63905420 23089

1.40.05 15 64

25 300 1278315 1342

1.5 1816 7736

62374 2666103

1.162 264

125 533187 797

1.215 900 3834

25 300 127825 300 1278

120 360 15341860 79242047 8721

65357 279318

Cazare Bucuresti - 12 nopti

TOTAL COSTURI PAVILION UP

Asistebta tehnicaUrmarire de santier - 60 de oreDeplasari

TOTAL COSTURI ANTREPRENORIALE:

Diurna - 12 zileTransport - Bucuresti-Timisoara - 3 transporturi avion

TOTAL COSTURI ASISTENTA TEHNICA:

Balast - pentru umplerea gaurilor - 8euro/mcBeton simplu - pentru umplerea gaurilor - 35euro/mcAsfalt - pentru acoperirea gaurilor - 75euro/tona

Optiune: corpuri de iluminat - pentru acoperirea gaurilor

Alte avize si taxe - 0.2%TOTAL COSTURI AVIZE SI TAXE:

Demontare/stalp - 30min/stalp - 5euro/oraInchiriere utilaj de insertie a stalpilor - 1ziReaducerea sitului la starea initiala - 1h/gaura - 5euro/ora

TOTAL COSTURI EXECUTIE:Costuri antreprenorialeAvize, taxe

AC - 0.1%

IntretinereUdarea plantelor odata la 6 saptamani pe timp de secetaCuratarea pavilionului - odata pe luna

TOTAL COSTURI INTRETINERE:

Costuri neprevazute - 3% din costurile de executie

ManoperaDescarcarea/incarcarea materialelor - 2euro/ora/omMontare/stalp - 2 ore/stalp - 5euro/ora

TOTAL COSTURI MANOPERA:

TOTAL COSTURI MATERIALE:

Transportul materialelor Transport faza montare - 3 transporturiTransport faza demontare - 1 transport

TOTAL COSTURI TRANSPORT:

Panouri solare - 3buc./stalpAcumulator

Distantiere metaliceSuruburi si piulite - 22 buc.Adeziv SIKA

TOTAL S5

PompaTrasee PVC si diuze de difuzie

Tub carton si protectia hidroizolanta in 2 straturiTub PVC - rezervor apa si capac protectie

UP | 40

unit prc. EURO RON1

1.1 0 0 01.2 0 936 3987

936 39872

1.1

53 2915 1241812 660 281225 1375 5858

0.5 27.5 1170.55 30.25 129

2 110 4695118 21803

53 7261 3093233.5 4589.5 19551

28 3836 163410.6 82.2 350

0.55 75.35 3213 411 1751

16255 69246

53 2703 1151546.5 2371.5 10103

38 1938 82560.6 30.6 130

0.55 28.05 1194 204 869

7275 30992

144 6768 2883247.3 2223.1 9470

47 2209 94103 141 6015 235 1001

15 705 30035 235 1001

0.75 35.25 15010 470 2002

13021 55470

144 1440 613459.5 595 2535

GENERAL COST ESTIMATION

The costs were calculated at the BNR currency 1EUR=4.62RON, for 26.07.2010

Titles of chapters and subchapters No.Value(including VAT):

Chapter 1 - Preparing the terrain and organising the working sitePreparing the siteOrganizing the working site - 1.5% of the execution costs

Chapter 2 - Execution costs(MOUNTING AND DISMOUNTING)Costs for materials

S1 - column Ø 100mm - 55 PIECESFoundations - KRINNER KSF G4 Metallic components - 4.5kg/pcsCardboard tube and re�ective coating in 2 layersPVC top - protection for the top of the tubeScrews - 4 pcs.

S3 - column Ø 200mm - 51 PIECES

SIKA adhesiveTOTAL S1

S2 - column Ø 150mm - 137 PIECESFoundations - KRINNER KSF G4 Metallic components - 13.4kg/pcsCardboard tube and waterproof coating in 2 layersPVC top -protection for the top of the tubeScrews - 4 pcs.SIKA adhesive

TOTAL S2

Foundations - KRINNER KSF G4 Metallic components - 18.6kg/pcsCardboard tube and waterproof coating in 2 layersPVC top -protection for the top of the tubeScrews - 4 pcs.SIKA adhesive

Vegetal substrate, ceramic granules, water reservoir, gravel

Ceramic plant pot with thermal insulation

TOTAL S3

S4 - column Ø 240mm - 47 PIECESFoundations - KRINNER KSF G4 Metallic components - 19kg/pcsCardboard tube and waterproof coating in 2 layers

S5 - column Ø 350mm - 10 PIECESFoundations - KRINNER KSF G4 Metallic components - 23,75kg/pcs

PVC tube - plant pot protection

Screws - 6 pcs.SIKA adhesive

TOTAL S4

Plant

TOTAL COSTS FOR PREPARING AND ORGANISING THE WORK SITE:

62 620 264112 120 51110 100 42615 150 63910 100 42620 200 85210 100 426

6 60 25610 100 426

3585 15272

0.18 54 2300.1 30 1280.7 210 89530 9000 38340

52823 225923

1.2500 1500 6390500 500 2130

2000 8520

1.335 70 29810 3000 12780

2.5 750 3195100 100 426

5 1500 63905420 23089

1.40.05 15 64

25 300 1278315 1342

1.5 1816 7736

62374 2666103

1.162 264

125 533187 797

1.215 900 3834

25 300 127825 300 1278

120 360 15341860 79242047 8721

65357 279318

Cardboard tube and waterproof coating in 2 layersPVC tube - water tank

TOTAL MATERIALS COSTS:

Transportation Transport mounting stage - 3 transportsTransport dismounting stage - 1 transport

TOTAL TRANSPORT COSTS:

Solar pannel - 3pcs./columnAccumulator

Metallic distance piecesScrews - 22 buc.SIKA adhesive

Work costsUnloading an loading the materials - 2euro/hour/personMounting/column - 2 hours/column - 5euro/hour

TOTAL WORK COSTS:

Construction permit - 0.1%

MaintenanceWatering the plants once every 6 weeks in case of droughtCleaning - once a month

TOTAL MAINTENANCE COSTS:

Unforeseen costs - 3% of the execution costs

Other permits and taxes - 0.2%TOTAL COSTS PERMITS AND TAXES:

Dismounting/column - 30min/column - 5euro/hourRenting a Mini digger - 1dayBringing the site to the initial stage - 1h/hole - 5euro/hour

TOTAL EXECUTION COSTS:Entrepreneurs costsPermits, taxes

Ballast - for �lling the holes - 8euro/sqmSimple concrete - for �lling the holes - 35euro/sqmAsphalt - for covering up the holes - 75euro/ton

Optional: lighting device - instead of asphalt

TOTAL S5

PumpPVC pipes and sprinkles

Hotel - 12 nopti

TOTAL COSTURI UP, URBAN PAVILION

Technical assistanceWorkin site surveillange - 60 de oreTravel costs

TOTAL ENTREPRENEURS COSTS:

Daily costs - 12 zileTransport - Bucharest-Timisoara - 3 transports by plane

TOTAL TECHNICAL ASSISTANCE COSTS:

Va multumim,

ECHIPA PAVILION UP: Oana Simionescu, arhitect diplomat - coordonator proiect

Balaj Alin, student arhitectCozma Alexandru, arhitect diplomat

Fratila Iulia, arhitect diplomatPatroi Andreea, student arhitect

Negrulescu Codruta, arhitect cu drept de semnatura

COLABORATORI:Farcas Cornel, inginer structurist - consultanta structura

Harta Marius, arhitect cu drept de semnatura - consultant tehnicBoldis Gabriel, sociolog - concept social si strategie de marketing

Ciobota Alexandru, inginer peisagist - consultanta peisagisticaDaniel Dorobantu, artist multimedia - video, sunet

Eugen Neacsu, artist video - video

Thank you,

UP TEAM: Oana Simionescu, architect - project coordinator

Balaj Alin, student architectCozma Alexandru, architect

Fratila Iulia, architectPatroi Andreea, student architect

Negrulescu Codruta, architect with signature wright

COLLABORATORS:Farcas Cornel, structural engineer - structure consultancy

Harta Marius, architect - technical consultancyBoldis Gabriel, sociologist - social concept and marketing briefCiobota Alexandru, landscape architect - plants consultancy

Daniel Dorobantu, multimedia artist - video, soundEugen Neacsu, visual artist - video